{"id":9793,"date":"2018-04-17T12:43:42","date_gmt":"2018-04-17T11:43:42","guid":{"rendered":"https:\/\/ima.or.at\/?page_id=9793"},"modified":"2018-06-05T15:00:54","modified_gmt":"2018-06-05T14:00:54","slug":"maschinendivas-terms-and-approaches","status":"publish","type":"page","link":"https:\/\/archiv.ima.or.at\/en\/maschinendivas-terms-and-approaches\/","title":{"rendered":"machine divas terms and approaches"},"content":{"rendered":"<p><\/p>\n<h2><strong><a href=\"\/art-engineers-vs-machine-divas\/\">Art Engineers vs. Machine Divas<\/a><\/strong><\/h2>\n<p><em>A Retro-Utopian Investigation of Machine Theater<br \/>\nby Andrea Sodomka and Eva Ursprung<\/em><br \/>\n<a href=\"\/wp-content\/uploads\/2018\/04\/post1.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-9811\" src=\"\/wp-content\/uploads\/2018\/04\/post1.jpg\" alt=\"\" width=\"210\" height=\"64\" \/><\/a>\u201cMachine Divas\u201d is what Virginia Eubanks \u2013 in an interview about the Survival Research Laboratories \u2013 calls the women working in this group.<\/p>\n<h2><strong>Machina ex Diva oder: Wie kommt die Diva zur Maschine?<\/strong><\/h2>\n<p><a href=\"\/wp-content\/uploads\/2018\/04\/DSCN0159.jpg\"><img loading=\"lazy\" class=\"alignleft wp-image-9818\" src=\"\/wp-content\/uploads\/2018\/04\/DSCN0159-300x225.jpg\" alt=\"\" width=\"80\" height=\"60\" srcset=\"https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/DSCN0159-300x225.jpg 300w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/DSCN0159-768x576.jpg 768w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/DSCN0159-1024x768.jpg 1024w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/><\/a><a href=\"\/wp-content\/uploads\/2018\/04\/DSCN0042.jpg\"><img loading=\"lazy\" class=\"alignleft wp-image-9819\" src=\"\/wp-content\/uploads\/2018\/04\/DSCN0042-300x225.jpg\" alt=\"\" width=\"80\" height=\"60\" srcset=\"https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/DSCN0042-300x225.jpg 300w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/DSCN0042-768x576.jpg 768w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/DSCN0042-1024x768.jpg 1024w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/><\/a><a href=\"\/wp-content\/uploads\/2018\/04\/sodomka02.jpg\"><img loading=\"lazy\" class=\"alignleft wp-image-9820\" src=\"\/wp-content\/uploads\/2018\/04\/sodomka02-300x225.jpg\" alt=\"\" width=\"80\" height=\"60\" srcset=\"https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/sodomka02-300x225.jpg 300w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/sodomka02-768x576.jpg 768w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2018\/04\/sodomka02-1024x768.jpg 1024w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/><\/a><div class=\"clear\"><\/div><\/p>\n<h2><strong><a href=\"\/electronic-brides-machine-divas-and-robotic-visionistas\/\">Electronic Brides, Machine Divas and Robotic Visionistas<\/a><\/strong><\/h2>\n<p><em>by Kathy Rae Huffman<\/em><br \/>\n<a href=\"\/wp-content\/uploads\/2018\/04\/post2.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-9826\" src=\"\/wp-content\/uploads\/2018\/04\/post2.jpg\" alt=\"\" width=\"210\" height=\"64\" \/><\/a>Electronic Brides, Machine Divas and Robotic Visionistas is a research into the artworks by women who have made significant contributions to the fields of Cybernetics, Robotics, and Kinetics.<\/p>\n<h2><strong><a href=\"bodyscan\/\">Bodyscan<\/a><\/strong><\/h2>\n<p>by Eva Wohlgemuth<br \/>\n<a href=\"\/wp-content\/uploads\/2018\/04\/evawolgemuthmini.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-9828\" src=\"\/wp-content\/uploads\/2018\/04\/evawolgemuthmini.jpg\" alt=\"\" width=\"200\" height=\"64\" \/><\/a><\/p>\n<h2><strong><a href=\"\/en\/medienarchaeologie-und-retroutopismus\/\" target=\"_blank\" rel=\"noopener\">Media Archaeology and Retroutopianism<\/a><\/strong><\/h2>\n<p><em>by Inke Arns<\/em><br \/>\n<a href=\"\/wp-content\/uploads\/2018\/04\/retroutopia.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-9833\" src=\"\/wp-content\/uploads\/2018\/04\/retroutopia.jpg\" alt=\"\" width=\"210\" height=\"64\" \/><\/a><div class=\"clear\"><\/div><\/p>\n<p>Contemporary artistic projects are increasingly using a similar rearview mirror in order to focus on their own movement into the future by recording what lies behind.<\/p>\n<h2><strong>Kurztext zur Bedeutung der Medienkunst und zur eigenen Arbeit<\/strong><\/h2>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Art Engineers vs. Machine Divas A Retro-Utopian Investigation of Machine Theater by Andrea Sodomka and Eva Ursprung \u201cMachine Divas\u201d is what Virginia Eubanks \u2013 in an interview about the Survival Research Laboratories \u2013 calls the women working in this group. Machina ex Diva oder: Wie kommt die Diva zur Maschine? Electronic Brides, Machine Divas and [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/9793"}],"collection":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/comments?post=9793"}],"version-history":[{"count":52,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/9793\/revisions"}],"predecessor-version":[{"id":9984,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/9793\/revisions\/9984"}],"wp:attachment":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/media?parent=9793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}