{"id":9568,"date":"2018-01-12T10:15:03","date_gmt":"2018-01-12T10:15:03","guid":{"rendered":"http:\/\/ima.or.at\/?page_id=9568"},"modified":"2018-01-12T10:25:35","modified_gmt":"2018-01-12T10:25:35","slug":"you-never-know-notiert","status":"publish","type":"page","link":"https:\/\/archiv.ima.or.at\/en\/you-never-know-notiert\/","title":{"rendered":"You Never Know notated"},"content":{"rendered":"<p>During a four-day artistic retreat Elisabeth Schimana and Hillevi Munthe will collaborate with with Claudia R\u00f6ck, a conservator who specializes in software-based art, to develop a form of notation for the interactive sculpture <em>You Never Know<\/em>. Hard- and software will be examined closely and processes analyzed and transferred into a metalanguage intended to continue to endure 10,000 years from now. <a href=\"http:\/\/elise.at\/project\/You%20Never%20Know\">elise.at\/projekt\/You-Never-Know<\/a><\/p>\n<p>\u201eAs I said, the fact, that you took the initiative to write a score for your artwork in contrast to a conservator documenting an artwork in a museum, gives the score\/documentation a different significance.<\/p>\n<p>You did a lot of research and trial and error for your artwork. I think, it is part of the artwork. Would you like somebody else to continue that research and within which scope? How much additional creativity would be allowed? For instance, I am assuming, that the metal frame and the textile should be preserved and only the electronic parts be replaced, if broken. I am also assuming, that the Arduinos could be replaced by DIY electronic boards of a different brand (but not a desktop or laptop computer). The music and muscle wire score you described on the righthandside of the poster has to be followed and cannot be changed. I am further assuming that the technology of the muscle wires is a significant property of your artwork and must not be replaced by a different technology. Although a lot of testing went into the power supplies, they are not a significant property of the artwork.<\/p>\n<p>Another, more practical question is, whether \u2013 if an institution or a private person bought your artwork &#8211; they would be able to continue that research process in order to \u201cpreserve\u201d or perpetuate your artwork (most museums would have difficulties, I presume, as they have different insititutional goals and as many of them are lacking the knowledge\/skills).\u201c<br \/>\nClaudia R\u00f6ck, 25. Dezember 2017<br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>During a four-day artistic retreat Elisabeth Schimana and Hillevi Munthe will collaborate with with Claudia R\u00f6ck, a conservator who specializes in software-based art, to develop a form of notation for the interactive sculpture You Never Know. Hard- and software will be examined closely and processes analyzed and transferred into a metalanguage intended to continue to [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/9568"}],"collection":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/comments?post=9568"}],"version-history":[{"count":6,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/9568\/revisions"}],"predecessor-version":[{"id":9574,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/9568\/revisions\/9574"}],"wp:attachment":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/media?parent=9568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}