{"id":8181,"date":"2017-05-25T14:37:18","date_gmt":"2017-05-25T14:37:18","guid":{"rendered":"http:\/\/ima.or.at\/?page_id=8181"},"modified":"2017-05-25T14:40:37","modified_gmt":"2017-05-25T14:40:37","slug":"sounding-visions-daphne-orams-klingendes-utopia","status":"publish","type":"page","link":"https:\/\/archiv.ima.or.at\/en\/sounding-visions-daphne-orams-klingendes-utopia\/","title":{"rendered":"Sounding Visions \u2013 Daphne Oram’s sounding Utopia"},"content":{"rendered":"

Anna Steiden<\/a><\/p>\n

\"\"<\/a>\u201cWe have also sound-houses, where we practise and demonstrate all sounds, and their generation.\u2026\u201c. This passage of Fancis Bacon\u00b4s utopic novel The New Atlantis, was an important source of inspiration for Daphne Oram, British composer and pioneer of electronic music, whose life and work was marked by incredible imagination, however, but also by continuously encountering resistance. The presentation \u201cSounding Visions \u2013 Daphne Oram\u2019s sounding Utopia\u201d highlights her most creative period from setting up her own recording-studio, the Oramics Studio in Kent in the end of the 1950s, to the construction of the Oramics Machine and the publishing of her book An Individual Note Of Music, Sound and Electronics towards the end of the 1970s.<\/p>\n

Program<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Anna Steiden \u201cWe have also sound-houses, where we practise and demonstrate all sounds, and their generation.\u2026\u201c. This passage of Fancis Bacon\u00b4s utopic novel The New Atlantis, was an important source of inspiration for Daphne Oram, British composer and pioneer of electronic music, whose life and work was marked by incredible imagination, however, but also by […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/8181"}],"collection":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/comments?post=8181"}],"version-history":[{"count":2,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/8181\/revisions"}],"predecessor-version":[{"id":8184,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/8181\/revisions\/8184"}],"wp:attachment":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/media?parent=8181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}