{"id":6395,"date":"2016-05-05T11:33:59","date_gmt":"2016-05-05T11:33:59","guid":{"rendered":"http:\/\/ima.or.at\/?page_id=6395"},"modified":"2016-05-10T11:14:26","modified_gmt":"2016-05-10T11:14:26","slug":"frozen-daylight","status":"publish","type":"page","link":"https:\/\/archiv.ima.or.at\/en\/frozen-daylight\/","title":{"rendered":"Frozen Daylight"},"content":{"rendered":"<p><a href=\"\/rupert-huber\/?lang=en\">Rupert Huber<\/a><\/p>\n<p><strong>Broadcast live on air in 5.1 Surround Sound and on line: <a href=\"http:\/\/www.kunstradio.at\/2008B\/26_10_08.html\">\u00d61 Kunstradio<\/a> &#8211; Radiokunst, October 26th, 2008<\/strong><\/p>\n<p><div id=\"attachment_6398\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"\/wp-content\/uploads\/2016\/05\/Rupert_Huber_Foto_SabinePichlerw.jpg\"><img aria-describedby=\"caption-attachment-6398\" loading=\"lazy\" src=\"\/wp-content\/uploads\/2016\/05\/Rupert_Huber_Foto_SabinePichlerw-300x200.jpg\" alt=\"\u00a9 Sabine Pichler\" width=\"300\" height=\"200\" class=\"size-medium wp-image-6398\" srcset=\"https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2016\/05\/Rupert_Huber_Foto_SabinePichlerw-300x200.jpg 300w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2016\/05\/Rupert_Huber_Foto_SabinePichlerw.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-6398\" class=\"wp-caption-text\">\u00a9 Sabine Pichler<\/p><\/div> An afternoon in June 2008: Turkish football supporters gather in Vienna, to move vociferously to the stadion. The composer hangs a microphone out of his studio&#8217;s window and records the situation.<\/p>\n<p>Frozen Daylight: in a live-radio composition on 16th October 2008, Rupert Huber juxtaposes two acoustic events, the noise of the football fans and the overtones of a string ensemble. <\/p>\n<p>Shutting the windows eliminates street sounds; but they remain in Rupert Huber&#8217;s head, fusing with sounds and creating an imaginary acoustic film that questions borders between inside and outside, between ears and eyes. Radio compositions are subject to their own rules; just like in a concert, the sonic event has vanished, and the next impression is to follow. The very moment, that Rupert Huber catches with Frozen Daylight, is ignited on the ferocious sounds of the sports fans, and the noisiness of the environment: a struggle between sounds created by humans \u2013 there is no victory and no death. Both at once would be the consequence of absolute noise \u2013 deafness. <\/p>","protected":false},"excerpt":{"rendered":"<p>Rupert Huber Broadcast live on air in 5.1 Surround Sound and on line: \u00d61 Kunstradio &#8211; Radiokunst, October 26th, 2008 An afternoon in June 2008: Turkish football supporters gather in Vienna, to move vociferously to the stadion. The composer hangs a microphone out of his studio&#8217;s window and records the situation. Frozen Daylight: in a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/6395"}],"collection":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/comments?post=6395"}],"version-history":[{"count":11,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/6395\/revisions"}],"predecessor-version":[{"id":6472,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/6395\/revisions\/6472"}],"wp:attachment":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/media?parent=6395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}