{"id":6186,"date":"2016-04-28T17:14:31","date_gmt":"2016-04-28T17:14:31","guid":{"rendered":"http:\/\/ima.or.at\/?page_id=6186"},"modified":"2016-05-31T11:53:36","modified_gmt":"2016-05-31T11:53:36","slug":"filtrational-anomaly","status":"publish","type":"page","link":"https:\/\/archiv.ima.or.at\/en\/filtrational-anomaly\/","title":{"rendered":"Filtrational Anomaly"},"content":{"rendered":"<p><a href=\"\/patrick-k-h\/?lang=en\">Patrick K.-H.<\/a> &amp; <a href=\"\/oleg-makarov\/?lang=en\">Oleg Makarov<\/a><\/p>\n<div id=\"attachment_6706\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"\/wp-content\/uploads\/2016\/04\/patrick_web.jpg\"><img aria-describedby=\"caption-attachment-6706\" loading=\"lazy\" class=\"wp-image-6706 size-medium\" src=\"\/wp-content\/uploads\/2016\/04\/patrick_web-300x200.jpg\" alt=\"\u00a9 Anastasia Blur\" width=\"300\" height=\"200\" srcset=\"https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2016\/04\/patrick_web-300x200.jpg 300w, https:\/\/archiv.ima.or.at\/wp-content\/uploads\/2016\/04\/patrick_web-1024x681.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-6706\" class=\"wp-caption-text\">\u00a9 Anastasia Blur<\/p><\/div>\n<p>In line with graphical sound projects by Patrick K.-H. \/ Oleg Makarov, \u201cFiltrational anomaly\u201d derives from the thicket of early XX-century media history. Exposed to A.Smirnov\u2019s \u201cSound in Z\u201d research work as students at his Theremin Center, they dig into E.Murzin\u2019s ANS drawn sound synthesizer. Equipped with ink, brush and paper, they transpose its principles into computer technology in live performance settings. Broadening the ANS palette, they intertwine its spectrum-to-sound approach with a spectrum as a filter that unfolds in a psychoacoustic multi-channel room.<\/p>\n<p><a href=\"\/dark-sounds-in-white-nights-programm\/?lang=en\">Program<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Patrick K.-H. &amp; Oleg Makarov In line with graphical sound projects by Patrick K.-H. \/ Oleg Makarov, \u201cFiltrational anomaly\u201d derives from the thicket of early XX-century media history. Exposed to A.Smirnov\u2019s \u201cSound in Z\u201d research work as students at his Theremin Center, they dig into E.Murzin\u2019s ANS drawn sound synthesizer. Equipped with ink, brush and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/6186"}],"collection":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/comments?post=6186"}],"version-history":[{"count":17,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/6186\/revisions"}],"predecessor-version":[{"id":6756,"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/pages\/6186\/revisions\/6756"}],"wp:attachment":[{"href":"https:\/\/archiv.ima.or.at\/en\/wp-json\/wp\/v2\/media?parent=6186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}