{"id":1466,"date":"2013-08-23T13:37:01","date_gmt":"2013-08-23T13:37:01","guid":{"rendered":"http:\/\/ima.or.at\/?page_id=1466"},"modified":"2019-09-24T12:48:47","modified_gmt":"2019-09-24T11:48:47","slug":"bucher","status":"publish","type":"page","link":"https:\/\/archiv.ima.or.at\/en\/bucher\/","title":{"rendered":"Books"},"content":{"rendered":"

<\/p>\n\n\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n
\"\"<\/a> \u20ac 28
\nHidden Alliances_versteckt verbunden<\/span>
\neditor<\/span> Elisabeth Schimana | publisher<\/span> Hatje Cantz | language<\/span> deutsch – englisch<\/p>\n
\"\" <\/span><\/form>\n

20 female artists in electronic art\/music tell quite a different story and together they weave a fascinating network of interrelationships.
\n198 pages | 109 illustrations<\/td>\n<\/tr>\n

\"cover_buchw\"<\/a> \u20ac 20
\nMaschinen f\u00fcr die Oper<\/span> | Der Komponist Max Brand. (1896 \u2013 1980)<\/span>
\neditor<\/span> Elisabeth Schimana | Schriftenreihe zur Musik der Wienbibliothek im Rathaus<\/span> Thomas Aigner [ed.] | editorial staff<\/span> Peter Donhauser, Elisabeth Schimana | publisher<\/span> Hollitzer | Sprache<\/span> German – English<\/p>\n \"\" <\/span><\/form>\n

As a contemporary of Sch\u00f6nberg and Weill, he was a figure shaped by late romanticism, futurism, and the early electronic age. The cultural upheaval caused by the Nazis, from whom he fled from Vienna to Rio de Janeiro in 1937, put an end to a very promising career as an opera composer. In 1940 he settled in New York, where he worked to realize his visions of an electronic music machine for the stage. There were many attempts, which all fell short, one of these was an optical synthesizer with waveforms he drew himself, and finally the Moogtonium, a synthesizer based on Oskar Sala\u2019s Mixtur-Trautonium and engineered by Bob Moog. But development took much too long and Brand was never able to fulfill his dream of an electronic one-man orchestra for the opera stage. He returned to Austria in 1975 and died in Langenzersdorf in 1980.<\/td>\n<\/tr>\n

\"zauberhafte_klang_buch_klein\"<\/a> \u20ac 29<\/span>
\nZauberhafte Klangmaschinen<\/span> | Von der Sprechmaschine bis zur Soundcard<\/span>
\neditor <\/span>IMA Institut f\u00fcr Medienarch\u00e4ologie | preface<\/span> Heinz-Klaus Metzger | concept<\/span> Cordula B\u00f6sze,Andreas Deppe,Elisabeth Schimana | publisher<\/span> Schott Music | language<\/span> german – english<\/p>\n \"\" <\/span><\/form>\n

The history and stories about machines mostly invented by physicists and technicians to generate sound but rarely used by composers and musicians. With more than 30 soundmachines the book gives an overview on sound generating, storing and transmitting.<\/td>\n<\/tr>\n

\"experiment_medientechnik_web74\"<\/a> \u20ac 26
\nKlangmaschinen zwischen Experiment und Medientechnik<\/span>
\neditor <\/span>Daniel Gethmann | co<\/span>operation partner<\/span> IMA Institut f\u00fcr Medienarch\u00e4ologie | publisher<\/span> Transcript | language<\/span> german<\/p>\n \"\" <\/span><\/form>\n

 <\/td>\n<\/tr>\n

\"termenbook74\"<\/a> \u20ac 20
\nLev Termen<\/span> | publication for the\u00a0 exhibition graz – mockba – graz
\neditor<\/span> Richard Kriesche |\u00a0cooperation partner<\/span> IMA Institut f\u00fcr Medienarch\u00e4ologie |\u00a0language german<\/span><\/span><\/p>\n <\/span><\/form>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n